Michael (Peter Ferdinando) is a ruthless undercover coptargeting London’s most violent drug traffickers. He and his team aren’t above taking their cut from the criminals they’re charged with taking on —but when he’s threatened with exposure, he’s forced to rapidly shift his loyalties and sell out his allies in order to stay alive. Gerard Johnson’s ultraviolent thriller — part Nicolas Winding Refn, part Abel Ferrara,and featuring a propulsive score by British new wave legends The The — is a brutal, neon-colored portrait of a man far beyond salvation.
Jimmy Fallon, Tom Hanks, Amy Schumer, Jim Gaffigan, Judd Apatow, Lisa Kudrow, Larry David, and Jon Favreau are among over 60 famous funny people featured in this hilarious twist on the age-old truth: misery loves company. In-depth, candid interviews with some of the most revered comedy greats who each share their unique path and a life devoted to making strangers laugh.
With arresting anecdotes and insights from the comedy underbelly that reveal a performer’s deep desire to connect with audiences, Kevin Pollak’s Misery Loves Comedy is the definitive master class on the art of humor that details a comedian’s rare ability to help us understand life as only they can.
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A politically-charged serial killer thriller set in 1953 Soviet Russia, CHILD 44 chronicles the crisis of conscience for secret police agent Leo Demidov (Tom Hardy), who loses status, power and home when he refuses to denounce his own wife, Raisa (Noomi Rapace), as a traitor. Exiled from Moscow to a grim provincial outpost, Leo and Raisa join forces with General Mikhail Nesterov (Gary Oldman) to track down a serial killer who preys on young boys. Their quest for justice threatens a system-wide cover-up enforced by Leo’s psychopathic rival Vasili (Joel Kinnaman), who insists “There is no crime in Paradise.”
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Director David Ayer tweeted the first cast photo of “Suicide Squad” on Wednesday.
The star-studded group, which includes Will Smith, Margot Robbie, Viola Davis, Joel Kinnaman and Jai Courtney, sat down for a table reading before the film starts shooting next week.
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Ushering in a new era of horror, Universal Pictures’ Unfriended unfolds over a teenager’s computer screen as she and her friends are stalked by an unseen figure who seeks vengeance for a shaming video that led a vicious bully to kill herself a year earlier.
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Awakening from an alcohol induced black out, Teddy discovers he has severely beaten his wife, Molly. As he seeks her forgiveness, she struggles with a possible future together. Absent a father’s protection, her brother’s humiliation over not being able to defend his sister quickly turns to hate. In desperation, Gordon seeks out and hires an ex-con to kill Teddy setting forth an unstoppable sequence of shocking events. Redemption, revenge, forgiveness, inhumanity interweave in an ill-fated tale of life and unforeseen circumstances.
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What could have been? What might have been? Reunions can be exciting, frustrating, exhilarating, nostalgic, a life given over to practicality while another chases lost dreams. Set against the majestic landscape of the desert, three estranged friends and former band mates “celebrate” turning 30, carrying their hopes and unresolved wounds, their intertwined romantic baggage, in this funny and poignant look at lost loves, forgotten dreams and missed opportunity.
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In this vibrant seriocomic re-imagining of Flaubert’s literary classic Madame Bovary, life imitates art in uncanny ways when earthy British beauty Gemma Bovery (Gemma Arterton) and her furniture restorer husband Charles (Jason Flemyng) move to a charming ramshackle old farmhouse in the very same Norman village where the novel was written a century earlier. Their welcoming neighbor, local baker and Flaubert expert Martin Joubert (Fabrice Luchini) becomes entranced with Gemma and sets out to be her guide and mentor to her new surroundings. It doesn’t take long before he is drawing parallels between the literary and real life woman, while he insinuates himself into her life. As reality sets in on the fantasy of rural French domesticity, the Boverys’ marriage begins to fray and Gemma finds herself at loose ends. She soon catches the eye of a handsome young playboy and when her magnetic ex suddenly reappears, she finds herself at a crossroads and seems to be fulfilling Joubert’s worst fears that her destiny is linked to that of Flaubert’s doomed heroine. Director Anne Fontaine’s (COCO BEFORE CHANEL) clever adaptation of Posy Simmonds’ graphic novel Gemma Bovery is at once a cheeky literary mash-up, a sensuous romance, a witty feminist commentary and a heady celebration of French provincial life.